These are the ramblings of a suspected lunatic. :)
The subject may be a poem, problem, film and book reviews, film news from Tall Chick Productions, or and op-ed. Hope you enjoy.
I am a writer and filmmaker from Tulsa, Oklahoma, USA. I have been doing this for about six years and have won or been nominated for several awards. More importantly, I love telling stories and helping others live their dream in this field.
Renee Weygandt & Kelli Kickham Brian C. Jackson Gregory Raw Marc Hall Zane Berlin
3 comments:
Anonymous
said...
thanks a lot for the pics .....susan ur heroine and villan are superb cast and wat does brain jackson do camera?? all the best susan to u and ur crew put up executive producers pic too :)
Hey pranav, thanks for the comments. I think I have the perfect cast too. Brian Jackson is our sound engineer. The executive producer wishes to remain unseen. ;)
Hi Susan! What is the kind of equipment that you are using to shoot your films? In india we shoot on Arriflex (435). Most of the films are dubbed as recording insync sound is expensive and cumbersome. We normally shoot on 35 mm Eastman color (cinemascope). These days filmmakers are experimenting with formats like super 16 and Hi definition. However most of the filmmakers are conservatiive and end up shooting on 35 mm. You would be surprised to know that in India Panavision is not there. What is the basic idea of the film that you are shooting? My script is about Juvenile Deliquency. More later... Bye, Danish
3 comments:
thanks a lot for the pics .....susan
ur heroine and villan are superb cast and wat does brain jackson do camera??
all the best susan to u and ur crew put up executive producers pic too :)
Hey pranav, thanks for the comments. I think I have the perfect cast too. Brian Jackson is our sound engineer. The executive producer wishes to remain unseen. ;)
Hi Susan!
What is the kind of equipment that you are using to shoot your films? In india we shoot on Arriflex (435). Most of the films are dubbed as recording insync sound is expensive and cumbersome. We normally shoot on 35 mm Eastman color (cinemascope). These days filmmakers are experimenting with formats like super 16 and Hi definition. However most of the filmmakers are conservatiive and end up shooting on 35 mm. You would be surprised to know that in India Panavision is not there.
What is the basic idea of the film that you are shooting? My script is about Juvenile Deliquency.
More later...
Bye,
Danish
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